Norwich, 27 October 2014 – FXHOME has announced that the latest version of its cutting-edge video editing and visual effects software, HitFilm 3 Pro, is now available for pre-order from for just $299 (£229), ahead of its release at the end of November 2014.
HitFilm 3 Pro is priced at $299/£229 and is designed for filmmakers at all levels of post-production. HitFilm 3 Pro is available to pre-order, and will be on sale from 24th November for both Mac and PC. Projected Alley using HitFilm 3 Pro from a single image Mask tracking with mocha in HitFilm 3 Pro – 3D Particle Textures – Camera Projection – Object Removal – Unified 3D Space – OpenFX compliant for 3rd Party Plugins – Atomic shapes can be applied directly to 3D objects – Improved Auto-tracking masks with Mocha – Ambient occlusion now uses 32-bit rendering and you can even go up to 32x MSAA – Includes 130 premium plugins for Premiere Pro, AE, Final Cut Pro X, Sony Vegas, and Motion HitFilm 3 Pro features speeds up your workflow thanks to intelligent cashing and sports a fresh interface with a low profile design. Mocha HitFilm’s capabilities have been expanded to include mask tracking, as well as a new 16-bit in-to-out OpenEXR pipeline. HitFilm 3 Pro is the successor to HitFilm 2 Ultimate, adding over 20 new effects and an OpenFX compatibility. HitFilm’s unique design combines a non-linear editor and compositor in a single interface allowing for seamless and fast switching between timelines without having to “round-trip” your way out to other programmes. HitFilm 3 Pro is a post-production revolution, combining high quality editing tools, 3D compositing, 3D object rendering, an industry leading particle simulator and an expansive toolkit for advanced colour correction and grading, all in a single product.
HitFilm 3 Pro from FXHOME incorporates some outstanding editing, visual effects, and colour correction features, thus “ merging a non-linear editor with advanced 3D compositing and over 180 effects, plus mocha tracking from Imagineer and 130 plugins for your other video software.”
In the last couple of years we’ve seen a convergence between features usually associated with standard non-linear editing software such as Adobe Premiere Pro & Final Cut Pro, and colour correction suites like DaVinci Resolve from Blackmagic Design, who have been packing their flagship colour correction suite with a ton of features normally found in NLE’s bring the two closer than ever before.